That comes out in the video, photographed and edited by machinimist Toxic Menges and directed by Sesi Ackland (who also happens to be Winston's partner in both worlds.) After the break, they explain more about this subtext-- and some of the elements that make it unique.
"The story was loosely based on a RL situation and person that led
Winston to write the verses of the song," Sesi explains. "'The lady with the baby' and
the mystery that surrounded her and their relationship for the several
years they knew each other." To this real kernel the creators brought elements from Second Life's more surreal locations.
As to the visuals, the most striking effect is the sky, photographed
moving at high speed while the world moves in real time. "The clouds
moving in fast time and in fact all the sky lighting effects
are all controlled via heavily modified versions of Torley's WindLight
presets," Toxic Menges explains. (The preset data is below.)
"[W]e wanted to show narrative and emotion because while the song is very
upbeat and fun," Ms. Ackland tells me, "it is based on a rather sad and confusing real life
experience for Winston."
Besides the YouTube version linked above, here's some higher res versions:
"The trick is to have Glassy as a setting in Water to give the reflection," says Menges. To use it, copy the code below into a Windows notecard, then save as a .xml file then place it in the Second life > Windlight > skies folder:
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I lost. The ditty is stuck in my head ow ow ow ow ow
Posted by: Solange | Wednesday, December 17, 2008 at 07:13 AM