New World Notes

Is This List of Sunsetted Virtual Worlds From Habitat On Missing Any Titles?

I'm working with Julian Reyes and the Virtual Worlds Museum on compiling the most complete list of sunsetted virtual worlds that have existed since the groundbreaking Habitat* in 1986.

But are we missing any? You can see the full still being revised list with descriptions and links of sunset worlds here on the VRM site, or review them in chronological order below.

We're defining "sunsetted virtual worlds" as platforms which are a) a multi-user but non-MMORPG virtual world depicted in 2D or 3D graphics, b) where users can customize their own space/room/realm/etc., and c) are no longer generally or commercially available to access online. 

Here's our list, nearly 50 in all, so far:

• Habitat (video game) - 1986 to 1988
• ‍MicroMUSE - 1990 to 1994
• CitySpace - 1993 to 1996
• Horseland - 1994 to 2019
• The Palace  - 1994 to 2001
• Active Worlds - 1995 to 2010
• Cybernet Worlds - 1995 to 2010
• CyberTown - 1995 to 2012
• KidsCom - 1995 to 2019
• Starbright World - 1995 to 1997
• OZ Virtual - 1996-1999
• WorldsAway - 1995 to 1998
• SAPARi - 1997-2003
• Forterra Systems - 1998-2010
• Worlds.com - 1998-2020

Virtual world titles from 2000 onward below:

Meta's CTO Memo Was an Early Signal of Company Shifting Away from VR/Quest Toward AR & AI (Comment of the Week)

With news breaking that Meta is now laying off thousands of employees to focus on its AI products, this comment from reader Martin K last Thursday sure seem sadly prophetic:

Since Quest headsets and Horizon Worlds cannot succeed on the scale of Meta's ambitions (and certainly not in 2025), I'm reading [Meta CTO's internal memo] as a preparation for a major shift of focus away from mixed reality and Horizon Worlds towards augmented reality +AI glasses (at the end of this year or in 2026). (And I'm sure that Meta will find a way to describe this new focus as an evolution of their vision of the Metaverse. Maybe the new/true/real Metaverse or whatever. They'll come up with something.)

If this shift of focus towards AR glasses and AI is already planned, why not just announce it? I assume the purpose of this whole exercise (and its predictable outcome) is to rationalize the scaling down of the MR and Horizon Worlds teams, prevent or shut down internal discussions about this change, and give some employees a chance to leave or switch teams before they are fired.

But I'm biased because Meta's VR strategy never made much sense to me. Thus, I guess, I'll just wait, watch, and limit my engagement with the Quest platform.

"Despite the reductions," MSN reports, "Meta still has around 1,000 job openings in California, with hiring efforts focused on AI and other business-critical roles." So, yes, I agree with Martin that limiting engagement with the Quest is probably a good idea. 

As for my original rant about Bosworth's memo, there's a pretty good conversation on it on LinkedIn, where it went mini-viral.

What Virtual Worlds / Metaverse Platforms Now Have Between 10,000 - 200,000 Monthly Active Users?

I recently shared the top 10 most active metaverse platforms I'm tracking, with Meta's Horizon Worlds trailing at slot #10 with 200,000 monthly active users.  I'm now working with Julian Reyes of the Virtual Worlds Museum to chart the top 11 through 20 most popular worlds -- i.e. virtual worlds/metaverse platforms which currently have between 10,000 - 200,000 MAU.

To qualify, a given virtual world has to fit these three basic criterion (along with active usage):

• Immersive virtual worlds with avatars that are not primarily games/MMOs.
• Enables users to build their own world/space and invite friends into it.
• Currently online, out of closed beta, with over 100 active users.

Here's ten likely candidates which might now qualify for status in slots 11 through 20:

Here's a List of 30+ Live Virtual Worlds We're Tracking. What Others Should We Add to the Virtual Worlds Museum?

I'm helping advise the Virtual Worlds Museum update this list of live virtual worlds to include in its programs, track in its database, and add to a timeline of virtual world history featuring nearly 100 virtual worlds over the decades.

We're tracking well over 30 live virtual worlds now, all of which fit these three basic criterion:

• Immersive virtual worlds with avatars that are not primarily games/MMOs.
• Enables users to build their own world/space and invite friends into it.
• Currently online, out of closed beta, with over 100 active users.

Here's what we're tracking now, with links to smaller/newer/lesser known platforms, arranged in alphabetical order:

What Virtual Worlds Should Be Added to the Virtual Worlds Museum?

This GitHub page is a resource center for The Virtual Worlds Museum (a proud media partner with New World Notes!), an incredibly ambitious project to represent the entire history and present state of virtual worlds.

It's still very much a work in progress that's regularly updated, but there's already dozens upon dozens of worlds being tracked on the Museum's Github -- everything from well-known hits like Roblox and Second Life, to a dizzying number that I'm barely familiar with. (BUD? Edorable? Stageverse?) See the screencap at right for just a small glimpse of what we're already tracking.

And we're still collecting more! If there's a virtual world not on this GitHub list, please send us the details -- either directly on GitHub, in Comments below, or via the Virtual Worlds Museum contact page. We're interested in hearing both from fellow virtual worlds fans and virtual world developers who want to help us build this out, especially as the project expands!

Richard Bartle Releases His Classic Book Designing Virtual Worlds for Free Online -- Here's His Guide to The Sections Still Most Relevant Today

Update, August 20:  Click here to download Designing Virtual Worlds as a .PDF file.

Designing Virtual Worlds is a milestone book in the history of the genre, relevant to basically anyone working in or thinking about online games/metaverses/MMOs/etc.; written by UK professor Richard Bartle in 2003, much or most of it is still relevant to today's technology. (Perhaps even more relevant now, as each wave of designers and developers insists on repeating mistakes made 10-15 years ago -- just on a much, much larger scale.) And Richard just announced he's offering it as a free download on his site:

It's held up reasonably well in some places but not so well in others. 18 years is a long time in virtual world development (the book predates World of Warcraft), but there may be something there of interest to people who haven't read the physical copy.

Click here to open Designing Virtual Worlds as a .pdf.

Professor Bartle, with characteristically wry self-effacement, just sent me his personal summary of the book chapter by chapter, noting which sections are still most relevant and which, not so much -- a handy cheat sheet for new/returning readers:

Among Us Inspires Full VR, Horror-Themed Version of Hit Game in VRChat

If anyone is interested, we are working on a VR Chat map based on #AmongUs Come check it out and join our discord! We would love to know what everyone thinks of it! https://t.co/cCfMGjaLSl#VRChat #VR #amongusfanart #AmongUsMeme pic.twitter.com/lGPtsyE3BN

— Shoobly (@Shooobly) September 25, 2020

Among Us, the wacky sci-fi party hit game of deception and betrayal, has quickly become the Fortnite of 2020. And because user-generated content communities inevitably schloop up and synthesize the interactive zeitgeist, it should be no surprise that a group of ten or so VRChat community developers have already been hard at work creating a fully playable VR-based version of the hit game. "Fully playable" might seem like hyperbole, but among the lead developers is "Markcreator", who also created this fully playable version of  Minecraft in VRChat:

"I'm working with a team of artists to make a realistic VR rendition of the game, fully playable using Udon scripting magic," he tells me. (Udon being VRChat's scripting system.) In other words, don't confuse it for Among Us-themed roleplay in VRChat.

In fact, to judge by the teaser video above and screenshots below, Mark and friends are turning Among Us into a game of goofball fun into a foreboding space survival game with the added suspense of being in immersive VR, with VRChat's voice communication enabled. (In VRChat space, everyone can hear you scream.)

Cryptovoxels Evolving Into a Creative Community, Says Virtual World Veteran

Pic from HiveMind Collective, a Cryptovoxels creative community

Cryptovoxels is a WebGL-based virtual world running on the Ethereum blockchain -- and to be totally honest, not something I'd find immediately interesting, ever since the blockchain-based Decentraland, after much excitement from from people like, well, me, more or less went sideways.

Juergen Hoebarth, however, who I've known back in the Second Life boom days when he was creating professional SL content for agencies, insists that Cryptovoxel has brought some of the old virtual world magic back.

Blockchain-based virtual worlds, I tell him, mainly seem to be driven by speculators but with not much actual users.

"Speculators are riding it back," he allows, "only thing is in Cryptovoxel's core community is evolving around crypto and digital art scene which has a nice size and a potential to grow into something sustainable."

The collaborative creation tools seems to be a big draw:

Chris Nolan World Premieres Next TENET Trailer In Party Royale, Epic's New Combat-Free Virtual World Expansion to Fortnite

A lot is riding on TENET, the next movie from Christopher Nolan, because it's the first big budget major studio movie that will open in theaters after the lockdown is eased, in mid-July -- meaning its success or failure at the box office will greatly shape the future of the film industry. So it's also notable that the world premiere for its next trailer will be in a virtual world: Today at 5pm PT in Party Royale.

As the name suggests, Party Royale is the new, non-violent virtual world expansion for Fortnite Battle Royale:

Shows at the Main Stage are just some of the many attractions at Party Royale. In this new experimental and evolving space, there are many things to do and places to explore. For example: take on aerial obstacle courses at Skydive Rift, participate in boat races at Fishsticks’ Boat Race, and grab items at The Plaza such as the new Paint Launcher. There are no weapons or mats in Party Royale — it’s all about just hanging out and having fun. No Sweat. All Chill. Let’s Party!

Let's all watch the trailer to Party Royale before watching the trailer to TENET in Party Royale:

In Case You Missed It, Travis Scott in Fortnite Set the New Gold Standard for Virtual World Performances

Somehow during its seventeen years of existence, "virtual concert in Second Life" has generally come to mean just that, and not much more: One or more avatars performing on a stage pretty much like they would at a real world show, with the possible bonus of synchronized gestures and out-of-sync mouth movement. Late last week, however, hiphop star and Fortnite showed how much more amazing, immersive, and only-in-a-virtual world a virtual concert can truly be. And to a truly massive audience:

More than 12 million players logged in for Fortnite's concert featuring Travis Scott, with reviewers calling it "stunning" and "spectacular". It included a skyscraper-sized version of Scott teleporting across the landscape as he performed his songs... A digital version of Scott performed a fully-animated, scripted 10-minute set - shorter than a concert performance. As Scott moved from song to song, his virtual avatar changed - first into a cyborg, then a fluorescent spaceman. The landscape shifted and crumbled around players on an enormous scale. After it was over, Scott tweeted: "Honestly today was one of the most inspiring days. Love every single one of you guys."

Watch above, and expect to see many more such virtual world concerts by major performers soon, especially with real world shows cancelled during the pandemic. Now that Scott showed what's doable in a virtual world, that's the gold standard going forward. Indeed, beyond a live DJ set in the zero gravity nightclub of Inspire or the live performances of the Skydancers, I'm hard-pressed to think of many "not possible in real life" (TM Bettina Tizzy) music events in SL. It's been 14 years since Suzanne Vega performed live in Second Life, so the novelty value of "popular music star performs in virtual world" in and of itself has long since faded. 

And yes, yes, the Scott performance is (far as I can tell) completely pre-recorded while Scott himself is not directly involved, but I'm not sure that completely matters.